I am excited by an array of ideas and contexts. I am a draftsman, a markmaker, and would be happy to do nothing but draw with yellow Dixon-Ticonderogas or crayons or the more acceptable medium of artists' pastels. Yet I am also a painter who loves the transparency and wet mess of watercolor as well as the goo of oils. My years as an independent animator, an experimental filmmaker, has made me more open, probably, to unorthodox vehicles like the graphic novel (please do not read "comic book" here), scrolls, successive imagery, and flipbooks of clouds moving along the North Carolina coast or a baby entering the world.
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